Watch The Princess and the Frog full movie, online, free| Series9| Gostream| Fmovies| Seriesonline, Hardworking waitress Tian, desperate to fulfill her dreams of one day opening the finest restaurant in New Orleans, is set on a journey to turn a frog prince back into a human being. Free watching The Princess and the Frog 2009, download The Princess and the Frog, watch The Princess and the Frog with HD streaming. Report Movie Please help us to describe the issue so we can fix it asap.

by idonnowho|created - 03 May 2015|updated - 25 Sep 2015| Public

OR.. 'How to Give 'The Princess and the Frog' More Attention Than it Gets; Both by Audiences and Current Disney Execs Themselves'! >:)

1. Anika Noni Rose

Actress | The Princess and the Frog

Tony Award winner Anika Noni Rose recently finished filming the lead role of the pilot episode Beast Mode (TBS / Macro), which is based on life of legendary boxing trainer Ann Wolfe. Anika is also serving as Co-Executive Producer.
In 2018, Anika starred in the title role of 'Carmen Jones' in John ...

Princess Tiana (voice)

2. Bruno Campos

Actor | The Princess and the Frog

In New Orleans during the Jazz Age, a beautiful girl named Tiana has a fateful encounter with frog prince. Watch all you want for free. Available to download.

Bruno is the son of an international banker, Paulo, and an actress, Thania. Although born in Rio de Janeiro, he grew up Brazil, Toronto, Bahrain, and Houston. He has three sisters - Mara, age 33 (in 1999); Adriana, age 32; and Mariana, age 21. At age 14, he attended Michigan's Interlochen Arts ...

Prince Naveen (voice)

3. Quvenzhané Wallis

Watch Princess And The Frog online, free No Download

Actress | Beasts of the Southern Wild

Wallis was born in Houma, Louisiana, to Qulyndreia (Jackson) Wallis, a teacher, and Venjie Wallis, Sr., a truck driver. She has one sister, Qunyquekya, and two brothers, Vejon and Venjie, Jr. 'Quven', the first part of her name, combines the first syllables of her parents' first names. Wallis, at ...

Princess Amanda (voice)

4. Ian McShane

Actor | Deadwood

A natural at portraying complex anti-heroes and charming heavies, IAN McSHANE is the classically trained, award-winning actor who has grabbed attention and acclaim from audiences and critics around the world with his unforgettable gallery of scoundrels, kings, mobsters and thugs.
And, now, a god as ...

King of Maldonia (voice)

5. Helen Mirren

Actress | RED

Dame Helen Mirren was born in Queen Charlotte's Hospital in West London. Her mother, Kathleen Alexandrina Eva Matilda (Rogers), was from a working-class English family, and her father, Vasiliy Petrovich Mironov, was a Russian-born civil servant, from Kuryanovo, whose own father was a diplomat. ...

Queen of Maldonia (voice)

6. Michael-Leon Wooley

Actor | The Princess and the Frog

Michael-Leon Wooley was born on March 29, 1971 in Fairfax, Virginia, USA. He is an actor, known for The Princess and the Frog (2009), Dreamgirls (2006) and Premium Rush (2012).

Louis the Alligator (voice)

7. Oprah Winfrey

Producer | The Oprah Winfrey Show

Oprah Winfrey was born Orpah Gail Winfrey in Kosciusko, Mississippi, to Vernita Lee, a former maid, and Vernon Winfrey, a coal miner, barber, and city councilman.
While Winfrey has been cited as the richest African-American of the 20th century, she does not come from a rich, or even middle class, ...

Eudora (voice)

8. Jennifer Cody

Actress | The Princess and the Frog

Jennifer Cody was born on November 10, 1969 in Henrietta, New York, USA. She is an actress, known for The Princess and the Frog (2009), Blue Bloods (2010) and O.T.P. (2014). She has been married to Hunter Foster since 1998.

Charlotte 'Lottie' LaBeouf (voice)

9. John Goodman

Actor | 10 Cloverfield Lane

John Stephen Goodman is a U.S. film, television, and stage actor. He was born in St. Louis, Missouri, to Virginia Roos (Loosmore), a waitress and saleswoman, and Leslie Francis Goodman, a postal worker who died when John was a small child. He is of English, Welsh, and German ancestry. John is best ...

Eli 'Big Daddy' LaBeouf (voice)

10. Phil Fondacaro

Actor | Willow

Phil Fondacaro started his career in 1981 when a casting call went out for 'little people' for the feature film Under the Rainbow (1981). This was the beginning of a career that is still going strong to this day. From that time he has worked in every genre. including drama, comedy, horror and ...

Tobias (voice)

11. David Cross

Actor | Arrested Development

David Cross was born on April 4, 1964 in Atlanta, Georgia, USA. He is an actor and writer, known for Arrested Development (2003), Eternal Sunshine of the Spotless Mind (2004) and Megamind (2010). He has been married to Amber Tamblyn since October 6, 2012. They have one child.

Henderson the Cat (voice)

12. John Musker

Writer | Hercules

John Musker was born on November 8, 1953 in Chicago, Illinois, USA as John Edward Musker. He is a writer and director, known for Hercules (1997), Aladdin (1992) and Moana (2016). He has been married to Gale Warren since September 22, 1979. They have three children.

Director

13. Ron Clements

Writer | Hercules

Ron Clements was born on April 25, 1953 in Sioux City, Iowa, USA as Ronald Francis Clements. He is a writer and director, known for Hercules (1997), Aladdin (1992) and The Princess and the Frog (2009). He has been married to Tamara Lee Glumace since February 25, 1989.

Director

LOS ANGELES

“THE Princess and the Frog” does not open nationwide until December, but the buzz is already breathless: For the first time in Walt Disney animation history, the fairest of them all is black.

Princess Tiana, a hand-drawn throwback to classic Disney characters like Cinderella and Snow White, has a dazzling green gown, a classy upsweep hairdo and a diamond tiara. Like her predecessors, she is a strong-willed songbird (courtesy of the Tony-winning actress Anika Noni Rose) who finds her muscle-bound boyfriend against all odds.

“Finally, here is something that all little girls, especially young black girls, can embrace,” Cori Murray, an entertainment director at Essence magazine, recently told CNN.

To the dismay of Disney executives — along with the African-American bloggers and others who side with the company — the film is also attracting chatter of an uglier nature. Is “The Princess and the Frog,” set in New Orleans in the 1920s, about to vaporize stereotypes or promote them?

The film, directed by Ron Clements and John Musker, two of the men behind “The Little Mermaid,” unfolds against a raucous backdrop of voodoo and jazz. Tiana, a waitress and budding chef who dreams of owning a restaurant, is persuaded to kiss a frog who is really a prince.

Continue reading the main story

The spell backfires and — poof! — she is also an amphibian. Accompanied by a Cajun firefly and a folksy alligator, the couple search for a cure.

After viewing some photographs of merchandise tied to the movie, which is still unfinished, Black Voices, a Web site on AOL dedicated to African-American culture, faulted the prince’s relatively light skin color. Prince Naveen hails from the fictional land of Maldonia and is voiced by a Brazilian actor; Disney says that he is not white.

“Disney obviously doesn’t think a black man is worthy of the title of prince,” Angela Bronner Helm wrote March 19 on the site. “His hair and features are decidedly non-black. This has left many in the community shaking their head in befuddlement and even rage.”

Others see insensitivity in the locale.

“Disney should be ashamed,” William Blackburn, a former columnist at The Charlotte Observer, told London’s Daily Telegraph. “This princess story is set in New Orleans, the setting of one of the most devastating tragedies to beset a black community.”

ALSO under scrutiny is Ray the firefly, performed by Jim Cummings (the voice of Winnie the Pooh and Yosemite Sam). Some people think Ray sounds too much like the stereotype of an uneducated Southerner in an early trailer.

Of course, armchair critics have also been complaining about the princess. Disney originally called her Maddy (short for Madeleine). Too much like Mammy and thus racist. A rumor surfaced on the Internet that an early script called for her to be a chambermaid to a white woman, a historically correct profession. Too much like slavery.

And wait: We finally get a black princess and she spends the majority of her time on screen as a frog?

“Because of Disney’s history of stereotyping,” said Michael D. Baran, a cognitive psychologist and anthropologist who teaches at Harvard and specializes in how children learn about race, “people are really excited to see how Disney will handle her language, her culture, her physical attributes.”

Mr. Baran is reserving judgment and encourages others to do the same. But he added that the issue warrants scrutiny because of Disney’s outsize impact on children.

“People think that kids don’t catch subtle messages about race and gender in movies, but it’s quite the opposite,” he said.

Donna Farmer, a Los Angeles Web designer who is African-American and has two children, applauded Disney’s efforts to add diversity.

“I don’t know how important having a black princess is to little girls — my daughter loves Ariel and I see nothing wrong with that — but I think it’s important to moms,” she said.

“Who knows if Disney will get it right,” she added. “They haven’t always in the past, but the idea that Disney is not bending over backward to be sensitive is laughable. It wants to sell a whole lot of Tiana dolls and some Tiana paper plates and make people line up to see Tiana at Disney World.”

Few people outside the company have seen footage of the movie. Among them are consultants like Oprah Winfrey, whom Disney asked for input on the racial aspects of the film and was cast as Tiana’s mother. (Movie theater owners and members of the N.A.A.C.P. have also been shown scenes, and the reactions, according to a Disney spokeswoman, were “extremely positive.”)

Rather, fueling the debate are photos of related merchandise taken from a toy industry event, a one-minute teaser trailer and Disney’s enormous cultural impact.

The company wants to vanquish once and for all the whispers of racism that linger from stumbles in the past. Yes, “Dumbo” traded in black stereotypes in 1941 with its band of uneducated, pimp-hat-wearing crows. All the animals in “The Jungle Book” from 1967 speak in proper British accents except for the jive-talking monkeys who desperately want to become “real people.”

More recently, “Aladdin” ran into trouble in 1993. The American-Arab Anti-Discrimination Committee labeled certain song lyrics defamatory (“Where they cut off your ear/If they don’t like your face/It’s barbaric, but, hey, it’s home”).

Newsletter Sign Up

Continue reading the main story

Princess And The Frog Characters

Watch Princess And The Frog online, free No Download Pc

• Opt out or contact us anytime

The company responds that criticism of such well-worn examples — particularly of films from the ’60s and earlier — applies a 21st-century morality to movies made in sharply different times. The United States barely had a Civil Rights Act in 1967, much less a black president.

Disney executives think people should stop jumping to conclusions about “The Princess and the Frog.”

A producer of the film, Peter Del Vecho, said: “We feel a great responsibility to get this right. Every artistic decision is being carefully thought out.”

Ms. Rose, familiar to movie audiences for her role in “Dreamgirls,” has also defended Disney.

“There is no reason to get up in arms,” she told reporters at a recent Los Angeles Urban League dinner. “If there was something that I thought was disrespectful to me or to my heritage, I would certainly not be a part of it.”

Ms. Winfrey declined to comment. A spokesman for the N.A.A.C.P. said the organization had no immediate comment.

Disney often gets criticized no matter how carefully it strives to put together its television shows, theme-park attractions and movies. For years, Disney has been lambasted by some parents for not having a black princess. Now, some of those same voices are taking aim at the company without seeing the finished product. (Officially, the princesses are Snow White, Cinderella, Sleeping Beauty, Ariel of “The Little Mermaid,” Belle of “Beauty and the Beast” and Jasmine of “Aladdin” — all white except for Jasmine, who is Arabian. The leads from “Mulan” and “Pocahontas” are sometimes sold with the Princess merchandising line.)

Mr. Del Vecho said the idea for a black princess came about organically. The producers wanted to create a fairy tale set in the United States and centered on New Orleans, with its colorful past and deep musical history.

“As we spent time in New Orleans, we realized how truly it is a melting pot, which is how the idea of strongly multicultural characters came about,” Mr. Del Vecho said.

He described Tiana as “a resourceful and talented person” and the rare fairy tale heroine “who is not saved by a prince.” Once the decision was made to make the lead black, he added, “We wanted her to bear the traits of African-American women and be truly beautiful.”

Getting “The Princess and the Frog” right is of enormous importance to Disney. The company needs hits, as evidenced by a recently announced 97 percent drop in quarterly profit. The Disney Princess merchandising line is a $4 billion annual business and the company has plans for Tiana to be everywhere. Get ready for Tiana dresses, elaborate dolls and Halloween costumes.

The movie also marks a return by Disney to traditional hand-drawn animation. A failure could be the final nail in the coffin of an art form pioneered by Walt Disney himself.

In the last 20 years, Disney has made huge strides in depicting race. In 1997, the company’s television division presented a live-action version of “Cinderella” with a black actress, the singer Brandy, playing the lead. In 1998, “Mulan” was celebrated as a rare animated feature that depicted Chinese characters with realistic-looking eyes; most animated films (even those from Japan) had Westernized versions of Asian people until that time.

THE debate surrounding “The Princess and the Frog” illustrates how difficult it is to deal with race in animation, experts say. Cartoons by their nature trade in caricatures.

Mainstream producers have largely avoided characters of color for fear of offending minority groups, although black producers have been creating cartoons featuring stereotyped characters since the days of “Fat Albert.”

Disney can take some comfort in a backlash to the backlash.

“This is one of those situations where I am ashamed of the black community,” Levi Roberts said in a YouTube video. “Are we being racist ourselves by saying this movie shouldn’t have a white prince?”

Perhaps the final word — for now — should come from somebody who is African-American and a former Disney animator.

“Overly sensitive people see racial or ethnic slights in every image,” wrote Floyd Norman, whose credits span from “Sleeping Beauty” to “Mulan,” in a 2007 essay on the Web site Jim Hill Media. “And in their zeal to sanitize and pasteurize everything, they’ve taken all the fun out of cartoon making.”